Tom Taylor
Punch, 1853
From Russian steppe, from Persian sand.
From pine-fringed Norway fiord,
From Elbe's and Eyder’s peopled strand
I’ve skimmed the sea — I've swept the land —
Way for your lord !
Come deck my board — prepare my bed,
And let the trump of doom
Peal out a march, that as I tread
Above the dying and the dead
All may make room !
From far I snuff the odour sweet
That I do love the best;
And wheree'r I set my feet
Courtiers and liegemen flock to greet
Their King confest.
Well have you done your loyal part,
My subjects and my slaves -
In town and country, port and mart,
All's ready - after my own heart -
All - to the graves !
What is my feast? These babes forpined; -
Men ere their prime made old; —
These sots, with strong drink bleared and blind —
These herds of unsexed woman-kind
Foul-mouthed and bold —
These bodies, shrivelled, seared
With the malaria's breath;
In foetid dens and workshops reared;
From reeking sewers, drains uncleared,
Drinking in death.
What is my court? These cellars piled
With filth of many a year —
These rooms with rotting damps defiled —
These alleys where the sun ne‘er smiled,
Darkling and drear !
These street along the river’s bank,
Below the rise of tide; _
These hovels, set in stifling rank,
Sapped by the earth-damps green and dank -
These cess-pools wide.
These yards, whose heaps of dust and bone
Breathe poison all around;
These styes, whose swinish tenants grown
Half human, with their masters own
A common ground.
What are my perfumes? Stink and stench
From slaughter house and sewer;
The oozing gas from opened trench,
The effluvia of the pools that drench:
Court-yards impure.
What is my music? Hard-wrung groans
From strong men stricken down;
Women’s and children's feebler moans,
And the slow death-bell’s muffled tones
In every town.
Who are my lieges? Those that rule
In Vestry and at Board;
The Town Hall's glib and giddy fool,
The mob's most abject slave and tool,
Though called its lord.
He who with prate of Vested Rights
Old forms of wrong defends;
Who for pound-foolishness still fights
Wisdom, save penny-wisdom, slights;
These are my friends.
John Leech’s cartoon “The Court of King Cholera” appeared in Punch in 1852, offering a satirical view of urban conditions during the Industrial Revolution. The image is available via Wikimedia Commons.
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