Build 2 — 6 August 2026
History of Wandsworth Common
The corner house adjoining the Huguenot Burial Ground, as sketched by the architect Charles Ferdinand Porden in August 1813 — identified here for the first time as the same building later illustrated (from different angles) in a modern published account of Wandsworth's old houses.
The sketch is inscribed, top centre, in Porden's own hand:
Along the bottom, two further inscriptions. The first is a rejected identification, partly struck through:
This word is faint and the reading uncertain — "Manor House" is fairly clear, but the crossed-out word before it, though probably "Parsonage," has not been confirmed with certainty.
Porden then settled on a plainer, more reliable caption:
Philip Boys has confirmed that this is the corner house immediately by Mount Nod, the Huguenot Burial Ground — identifiable from the Venetian window on the side of the house, which matches the same feature in a later illustration of the same building (see below). Porden's own guess at the building's identity, weighing up "Parsonage" against "Manor House," was mistaken on both counts: there was a separate house about a hundred yards away that was confusingly also known locally as "the Manor House," despite not being the historic manor house itself (which was in Battersea, not Wandsworth). Porden appears to have known the building was significant, but not what it actually was.
The sketch is signed simply "Porden," which initially suggested the elder, more famous William Porden — architect of the stables and riding house at the Brighton Pavilion. Philip Boys has since confirmed it is in fact the work of William's nephew, Charles Ferdinand Porden (1790–1863), who trained under his uncle before going on to design St Matthew's Church, Brixton (1822–24) — itself the subject of some Chronicles research this year.
Porden's caption describes the house as adjoining "the burial ground of Wandsworth" — not specifically the Huguenot section of it. Since the Wandsworth parish burial ground and the Huguenot Burial Ground (Mount Nod) were, at this date, effectively one and the same site, this is consistent with — rather than in conflict with — the identification as the house by Mount Nod, but it's worth noting Porden did not single out the Huguenot association himself.
Porden's watercolour: Museum of London Picture Library, negative no. 7067; sketched 1813, long out of copyright. Identification and research, August 2026.